Figure Display Case Or Glass Display Cabinet for Beginner...
A practical breakdown of figure display case or glass display cabinet for beginners, aimed at new collectors. No marketing language — just the specification, the construction and the display consequences.
Light Damage Is Cumulative
UV breaks polymer chains in paint binders and clear coats; the damage shows first as lost gloss, then as yellowing, and it is irreversible. This is why a piece can look perfect for two years and dull by year four without anything ever touching it — the light was doing the work the whole time.
Storage vs Display Care
Out of rotation, use the original carton and moulded foam, or acid-free tissue with a silica gel sachet replaced every six months. Store upright when space allows, never stacked, and keep the certificate with the piece rather than filed away where it is separated from the number it proves.
Plan Numbers
| Constraint | Target |
|---|---|
| Footprint | ~25 × 25 cm |
| Vertical envelope | ~65 cm |
| Per 180 cm shelf | 6 comfortable |
| Extra depth for LIN | +5–8 cm |
Targets That Prevent Damage
Keep displayed pieces at 18–24 °C and 40–55% relative humidity. Above 60% invites bloom and mould; below 35% dries fabric trim on mixed-media builds. No direct sun, ever, and gentle indirect airflow rather than a fan pointed at the shelf, which raises dust deposition sharply.
Warm White LED Wins
Halogen is the worst common choice: it dumps both UV and convective heat onto the piece. Warm white LED at 2700–3000 K with under 0.1% UV and a colour rendering index of 90 or higher is the practical answer, provided the fixture genuinely filters UV and infrared rather than merely claiming to on the box.
The short version: material and edition size set the ceiling, finish sets the day-to-day impression, and display decides how much of that you actually see.